Wednesday, December 18, 2013

Kishori Amonkar : The Diva of Hindustani Music




Kishori Amonkar 
Raag : Haunsadhwani (Tarana)

 Kishori Amonkar

Our music is the fifth Veda. The Vedas teach you Brahma Vidya. You cannot learn that from a machine. If you go on contemplating and meditating upon the divine art, I am sure you will reach the ultimate destination of a note – which is Brahma. I am trying my best to reach that.

Kishori Amonkar

We have given an entertainment value to our music. Singing, practising and performing, all are different. These are the three aspects of music. I give importance to singing. It is like talking to your soul. It is an inner communion which you are trying to communicate ... in the process, naturally it will diminish in value.

 Kishori Amonkar

This art needs meditation. It is not that I don't love the public. It is because of them I am where I am today. I consider each one of you as an embodiment of Raghavendra Swamiji. When I sing, you become Raghavendra… I am seriously moving away from performing. I am waiting for a chance to get into teaching completely. That's my goal.

Kishori Amonkar

In North India, music is treated as entertainment. I detest that to the core….people don't care. They casually walk in and out of the theatre, while you are singing. The audience in Madras also does that. I feel it is not their fault. If you see Tirupathi Balaji standing before you, what will you do ? You will get rooted to the spot. So I think, perhaps, I lack the qualities to make me forget myself and in turn make you forget everything else.

 Kishori Amonkar

I believe that Indian music is nothing but the expression of a feeling. If I say, ‘I love you,' can you measure it? You just have to feel that vibration. We have limited our music to formats. In North India, every raga is sung in a typical form. First alaap, then vistaar, then you put words into the alaap; words in the thana, then dhrutha … We repeat the entire repertoire. I don't think one needs to singdhrutha here. Dhrutha conveys an entirely different feeling. You sing it when you are restless or have an intense feeling. But we don't do that. Apologetically, I accept these faults. You do the same in Carnatic music. In a performance you give a break, you give some time for the violin, some time for the mridangam. It is a break from the emotion.

 Mogubai Kurdikar

It is a nice blend of mind and brain which you need in art. You cannot be merely sentimental, devoid of intellect. There should be a perfect balance between intellect and heart. It is known as sayyam in Indian religion. This is how we ultimately reach moksha. But you must understand that you need control to do that. I am learning to control myself. I know I am an extremely intelligent person. This is why my mother did not take me to any concerts until she approved of it.

 Kishori Amonkar

The two systems - Hindustani and Carnatic - are more the result of practical tradition, influenced by environmental cultural forces. I think this is a world of notes. We should not put in too many words, too many rhythmical acrobatics into our singing. It is high time instrumentalists got out of the acrobatics with the percussionists. These are just gimmicks. The worst exploitation of the audience is by gimmicky artists. Listeners have been led to believe that they should be excited by a performance. That goes exactly against the principles of Indian classical music, which brings you peace!


Kishori Amonkar



(Courtesy : Lakshmi Viswanathan, The Hindu)

3 comments:

  1. I just couldn't stop saying aloud Wow again and again reading and listening to Kishori Amonkar. Each one of her thought on music selected and posted is a gem to be treasured by anyone who wishes to understand music. It is truly a treat to both the mind and the ear.

    In the world of music where musicians resort to all forms of gimmick in the name of entertainment it is heartening to listen to the maestro talking of the difference between singing and performing and wanting to move away from performing.

    And what humility.. Only a true genius understands the enormity of the art and can speak with such maturity and humility.

    The post really made me wish to listen to the maestro speak more of her views on music. Hats off to the blogger for the beautiful choice of the quotes and rendition by the Doyen of Hindustani music!

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  2. Kishori Amonkar belongs to a fast vanishing breed. One who still vouches for absolute purity. Absolute purity with absolute humility. Purity in action. Which is the most difficult feet. More difficult than the art she practices.

    I have heard some of her songs on Krishna (Meera Bhajans). And they are absolute gems. Such soulful rendering. It is better than all the likes of Latas. Ashas and Anuradhas put together. They can even stir such hardened hearts cast in stone like me.

    Thanks to the blogger for excellent selection of posts.

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  3. Great. When I listen to a starting note of Kishori Amonkar, I get tears...I melt down completely when I listen to her. She is a wonderful singer. She doesnt sing, she takes me to some depths not visible to human eyes, I can only feel that. There is an unexplained pain in here voice, which takes you along when you listen to her. Thanks Sathya for searching and publishing the greatest collection of her discussions photographs..Kamal.

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